Here's mines.
1)
1)
2ND-FAVORITE
KUBRICK FILM?
DR. STRANGELOVE (1968)
2) MOST SIGNIFICANT -
DR. STRANGELOVE (1968)
Coming only after
the SPACE ODYSSEY (1968).
2) MOST SIGNIFICANT -
IMPORTANT - INTERESTING
TREND IN MOVIES OVER
PAST DECADE, FOR GOOD
OR EVIL?
Didn't know if this meant on the technical
Didn't know if this meant on the technical
front or something more contextual; but I'd
say Digital filmmaking in general.
Completely CG rendered enviros, green
screen/blue screen, mo-cap, HDV replacing
celluloid, etc.. So depending on how they're used:
some good. Some very lazy + toxic to creativity.
(CLINT EASTWOOD) OR
BUFFALO BILL CODY
(PAUL NEWMAN)?
Buffalo Bill... sorry, Clint.
Buffalo Bill... sorry, Clint.
4)
BEST FILM OF 1949?
THE BICYCLE THIEF. Technically a 1948 release in
THE BICYCLE THIEF. Technically a 1948 release in
Europe, but it’s '49 in the States. Best American film
5) JOSEPH TURA (JACK BENNY)
OR OSCAR JAFFE
6)
HAS HAND-HELD SHAKY-CAM DIRECTORIAL STYLE BECOME
7) WHAT WAS THE 1ST
FOREIGN-LANGUAGE FILM
YOU EVER SAW?
CINEMA PARADISO (1989), that I can remember.
CINEMA PARADISO (1989), that I can remember.
& Even though I couldn't read yet, I believe it was easy
enough for me to follow the story. At least the
childhood parts
8) CHARLIE CHAN (WARNER OLAND)
OR MR. MOTO (PETER LORRE)?
These character's are both very racially
These character's are both very racially
offensive to me. Yet Peter Lorre somehow
hammed it up to such a degree as the
stereotype that it's sort of a guilty pleasure
to me that cracks me up from time to time.
(1950-1970)?
THE GREAT ESCAPE (1963)..
THE GREAT ESCAPE (1963)..
10)
FAVORITE ANIMAL MOVIE STAR?
That pig from BABE because
That pig from BABE because
TO BLAME, NAME AN IRRESPONSIBLE
MOMENT IN CINEMA
Even if some of the things she shot have a
Even if some of the things she shot have a
shallow aesthetic brilliance to them, Leni
Riefenstahl’s propaganda films for the
Nazi party are particularly troubling...
12) BEST FILM OF 1969?
Peckinpah's WILD BUNCH
Peckinpah's WILD BUNCH
13) LAST MOVIE YOU SAW
THEATRICALLY, AND ALSO
14)
15) FAVORITE INDEPENDENT OUTLET
FOR READING ABOUT MOVIES,
16)
OR OLIVE NEAL (JENNIFER TILLY)?
A tough one. But I'm gonna go with Marisa Tomei.
A tough one. But I'm gonna go with Marisa Tomei.
Especially in MY COUSIN VINNY. She’s adorable..
FEATURES A CARNIVAL
19) BEST USE OF HIGH-DEFINITION
VIDEO ON THE BIG SCREEN TO DATE?
MIAMI VICE (2006). Those wide vistas of the city
MIAMI VICE (2006). Those wide vistas of the city
skyline would not have looked the same without it.
FAVORITE MOVIE THAT IS EQUAL
PARTS GENRE FILM AND A
DECONSTRUCTION OR
CONSIDERATION OF THAT SAME
GENRE?
MCCABE & MRS. MILLER (1971)..
MCCABE & MRS. MILLER (1971)..
my favorite Altman.
21) BEST FILM OF 1979?
ALL THAT JAZZ. 1979 at 24fps
22) MOST REALISTIC OR SINCERE
21) BEST FILM OF 1979?
ALL THAT JAZZ. 1979 at 24fps
22) MOST REALISTIC OR SINCERE
DEPICTION OF SMALL-TOWN LIFE?
John Sayles does small-town communities better than
John Sayles does small-town communities better than
23) BEST HORROR MOVIE CREATURE?
(NON-GIANT DIVISION)
George Romero-style slow zombies. And if those don’t
(NON-GIANT DIVISION)
George Romero-style slow zombies. And if those don’t
24)
THAT COULD HAVE PRODUCED
A FRANCHISE YOU WOULD
26) FAVORITE
DE PALMA SEQUENCE?
Though not his best, the BATTLESHIP
Though not his best, the BATTLESHIP
POTEMKIN stairwell shoot-out from the
climax of UNTOUCHABLES (1987)
MOMENT IN TECHNICOLOR
The "Munchkin Parade" Medley & "Follow the Yellow
Brick Road" numbers from WIZARD OF OZ (1939)..
FAVORITE
ALAN SMITHEE FILM?
They are all pretty terrible. But SUPERNOVA (2000) had
They are all pretty terrible. But SUPERNOVA (2000) had
29) CRASH DAVIS (COSTNER)
OR MORRIS BUTTERMAKER
(MATTHAU)?
Walter Matthau
Walter Matthau
30) BEST POST-CRIMES &
MISDEMEANORS WOODY
FAVORITE MOVIE TAG LINE?
“THIS SUMMER; GO APE-SHIT!” from
“THIS SUMMER; GO APE-SHIT!” from
"THE ULTIMATE TRIP" from the ads for
Kubrick's SPACE ODYSSEY (1968).
33)
FAVORITE
B-MOVIE WESTERN?
THE SHOOTING (1967)
THE SHOOTING (1967)
BEST SERVED BY MOVIE
ADAPTATIONS OF HER
OR HIS WORK?
Elmore Leonard,
Elmore Leonard,
35) SUSAN VANCE
(KATHARINE HEPBURN)
OR IRENE BULLOCK
(CAROLE LOMBARD)?
Hepburn in BRINGING UP BABY.
Hepburn in BRINGING UP BABY.
CAMEO IN A NON-MUSICAL
MOVIE?
“Knights of the Round Table” sequence from
“Knights of the Round Table” sequence from
MONTY PYTHON AND THE HOLY GRAIL (1975).
37)
BRUNO (THE CHARACTER,
IF YOU HAVEN'T SEEN THE
MOVIE, OR THE FILM, IF
YOU HAVE): SUBVERSIVE
SATIRE OR PURVEYOR OF STEREOTYPING?
I think it’s mostly really calculated satire..
I think it’s mostly really calculated satire..
38) FIVE FILM FOLKS, LIVING
OR DECEASED, YOU WOULD
LOVE TO HAVE A
CONVERSATION WITH
Living:
Living:
Werner Herzog, George A. Romero, Agnes Varda,
Christiane Kubrick, Terrence Malick
Deceased:
Deceased:
Stanley Kubrick, Ingrid Bergman, Samuel Fuller,
Orson Welles, Chris Farley
































