Monday, August 31, 2026

Viewing Journal: 8/31/2026



354) BUDDY
(2026 dir. Casper Kelly) Date Seen: August 31 2026
Undeniably amusing + I admired its total commitment to the conceit of being an authentic VHS artifact. Casper Kelly's become something of a legend in the world of short-form absurdism (see also Todd Rohal & Nick DenBoer) & his recent segment “Fun Size” was easily the highlight of last year's V/H/S HALLOWEEN. What are people colloquially referring to this cutesified sub-genre of nostalgia horror as? Kindertrauma? maybe Analog mascot? Whatever it's getting coined, I think this movie's probably a better example of it than something like MR. CROCKET or even Vigalondo’s surprisingly dull POOKA (though I personally worry this aesthetic may have peaked already with that “Clown Café” number in TERRIFIER 2).. Unfortunately, BUDDY has a short film’s worth of material stretched to feature length. The conceit is good, it just went on so long and I kinda wanted it to hurry things up.








353) THE PUNISHER: 
          ONE LAST KILL
(2026 dir. Reinaldo Marcus Green) Date Seen: August 31 2026
With the exception of one surprisingly moving visual passage —inventive first-person shots of Punisher’s departed family within his inner despair —loads of this movie's melodrama is just too overwrought. I know I was supposed to feel his sadness but there were lots of times where I held back giggles. Reinaldo Marcus Green (who normally does drama) got decent at staging action out of the blue & this movie's finale is pretty fun when all the fury finally boils over. The rampage Castle goes on during the climax has got physicality & a gratifying sense of impact to it, I just wish it didn't take forever to get there & maybe had some dramatic weight behind it. Honestly if you remove its ending & all the little umbilical cords attaching it to the larger Marvel universe, ONE LAST KILL's essentially a lesser DEATH WISH entry. + there's some astonishingly sloppy editing in dialogue scenes; parts that don't flow as much as clunk into each other. 

ALSO,
this isn't really a gripe against the actual film 
but just more of a baby bitch rant:
I wish someone would finally let Punisher wear his true costume! Must he always look like a hungover dude returning a lawn mower to Home Depot.. spare me the lecture about how the classic flamboyant costume would be “too comic-book” for his gritty universe, 'cause this world's got a green giant & a witch thumping around down the street. The horse of realism bolted from its stable years ago, so there's no reason he can't chase after it wearing them white gloves, boots, & teeth belt.




Sunday, August 30, 2026

Viewing Journal: 8/30/2026



352) COYOTE VS. ACME 
 (2026 dir. Dave Green) Date Seen: August 30 2026
• CatZup Entertainment out here continuing to do the Lord’s work, rescuing a shelved treasure from an ungrateful parent company --while the WB the actual ancestral home of the Looney Tunes appears increasingly prepared to sell itself to the literal Antichrist; the objectively harmful & right-wing Ellison family (three cheers for not having antitrust enforcement anymore).
• COYOTE VS ACME is way smarter than it needs to be as an exercise in comic juxtaposition & spatial subversion. The toon world doesn’t just merely intrude upon physical reality, it also re-organizes its rules. + finally Dave Green made a feature worthy of the talent he showed early on in those FEARnet  zombie webisodes from back in the day.
• I especially loved the design aspect of the Tunes themselves. Much like the Chip character in the CHIP 'N DALE: RESCUE RANGERS (2022) movie, they’re all technically 3D objects whose poses & expressions have been disciplined toward the graphic clarity of traditional 2D; Like freeze any frame & you could believe it had been ROGER RABBIT '88 style. After some of the uglier experiments with 3D in some of those 2010s O’Callaghan LOONEY shorts (Elmer & Granny's faces in particular) & especially all the post-"Serververse" trash in SPACE JAM: A NEW LEGACY 🤮, I’d been apprehensive about these characters making another jump to 3Dizzle.. Thankfully they look terrific in this movie. 
• There’s a curious fidelity here to the antique verbal music of old cartoons, to rhythms of speech & joke delivery that can seem alien in 2026. Like James Gunn’s two postmodern SCOOBY-DOO scripts, COYOTE VS ACME's lovingly clinging to an artificial form of banter, to the point where the humor almost seems aggressively clean. If I seem to have unfairly knocked this one down a star, it’s only because DAY THE EARTH BLEW UP set the bar so unfairly high in 2024. That one was just raw uncut Looney Tunes energy distilled to its purest form. 
• Jessica & I were blessed enough to see COYOTE VS. with a large crowd of diverse families & it helped me appreciate the comedy even more because kids were losing it over the simplest visual gags. You really don't need profound wit to recognize a toon character falling away from the camera & thudding into a cloud of dust is still funny 80 years on. 
• surprise witness appears during the big courtroom finale of this & it got me a little dusty-eyed. I had to pretend like I was cutting onions (unYawns). 
• Lana Condor is wonderful as always, & Forte remains a virtuoso of comic timing, but John Cena stole the human half of this movie for me personally: a wonderfully greasy corporate grotesque that seemed like the type of role Christopher McDonald would've nailed in the 90s.
• one objection I have of zero aesthetic importance: The idea of Granny banging Peter Lorre is grotesque.

Saturday, August 29, 2026

Viewing Journal: 8/29/2026



351) LEGEND 
OF THE WHITE DRAGON 
(2026 dir. Aaron Schoenke) Date Seen: August 29 2026
unfortunately the vast majority of this felt like a bunch of pre-vis rehearsal & camera tests frantically cut together in After Effects —less crafted together than piled upward. & It’s especially painful seeing the late JD Frank trapped in a character with so much brooding gloom, knowing what he was actually carrying in real life. He was an actor of genuine warmth & charisma, + more range than anyone bothered to discover (I personally wish BLOODSHOT had been him instead of Diesel truck)
WHITE DRAGON is thankfully never awful, but it is approaching mediocrity in a directorial sense; to the point where it almost makes the 2017 POWER RANGERS look hyper-competent. I do feel i need to say that it does feature some quality work being done in the costuming department. As a kid I always hated when Tommy the Green Ranger became the White Tiger-themed hero, solely because I hated the new costume that wasn't badass lizard green anymore. But the "White Dragon" suit in this had a pretty dreamy retro tokusatsu look, on par with designs like G1 Ken's (minus the cape).

[watch Joseph Kahn's POWER / RANGERS short, if you haven't already]



Friday, August 28, 2026

Viewing Journal: 8/28/2026



350) COLONY 군체
(2026 dir. Yeon Sang-ho) Date Seen: August 28 2026
It turns out Umbrella really was behind everything.. I'm just here for all the gooey & the nasty. This will probably be the gnarliest zombie film of 2026 until Cregger's "You Know What" comes out.

TRAIN TO BUSAN is still the best entry btw.


Thursday, August 27, 2026

Viewing Journal: 8/27/2026



349) INSIDIOUS
OUT OF THE FURTHER
(2026 dir. Jacob Chase) Date Seen: August 27 2026
just 'cause you get out of the Further, doesn't mean you go farther into the stinker.
btw that CAVEAT homage didn't work for me. Kinda reduced the original imagery's inventiveness to a cheap carnival scare.. Hopefully with the bread this thing makes over the weekend Jacob Chase can do something more personal again. 


Wednesday, August 26, 2026

Viewing Journal: 8/26/2026

 


348) 
THE DEATH OF ROBIN HOOD
(2026 dir. Michael Sarnoski) Date Seen: August 26 2026
action scenes aside, this felt like
Bergman doing UNFORGIVEN (1992).

I was deeply mesmerized by most of it,
easily Sarnoski's best film to date


Tuesday, August 25, 2026

Viewing Journal: 8/25/2026



347) PEOPLE 
  WE MEET ON VACATION
(2026 dir. Brett Haley) Date Seen: August 25 2026
Proof a charming cast alone cannot carry an entire film.. Writing kinda plays like if Nora Ephron started a promising outline but then suffered a series of small strokes (Especially lousy 3rd). America continues to be starved of good rom-coms i.m.o.. which is weird 'cause the genre used to be our bread & butter.






346) PLEASE
(2026 dir. Anna Mantzaris) Date Seen: August 25 2026
Captures a specific ennui about modern loneliness, where everybody’s so desperate to connect --but then also (annoyingly) how all of our antennae feelers keep obliviously brushing passed each other right when it seems we're about to connect. [my first Anna Mantzaris film! Socks are properly knocked off, similar to when i first saw an Emma de Swaef]







345) CLOAK & DAGGER
(1984 dir. Richard Franklin) Date Seen: August 25 2026
Would make an awesome double-feature with BMX BANDITS. A pretty solid case study in visually economic storytelling.. That
San Antonio River Walk sequence is superbly Hitchcockian. (I remember as kids my cousin Alex rented this dvd for our sleepover but i fell the fuck asleep)



Monday, August 24, 2026

Viewing Journal: 8/24/2026



344) TONY
(2026 dir. Matt Johnson) Date Seen: August 24 2026
YMMV obviously, but I thought this was a surprisingly stock coming-of-age movie considering the talent involved.. Banderas & the guy from HOLDOVERS are pretty good in it though. Why does it feel like Matt Johnson's visually more inspired when directing pseudo-doc/ found footage things? 


Sunday, August 23, 2026

Viewing Journal: 8/23/2026



343) MUTINY
(2026 dir. Jean-François Richet) Date Seen: August 23 2026
Aside from a few inventive kills this was mostly a disappointment for me. Shame too, because I've enjoyed a lot of 
Richet's english language actioneers in the past.. SHELTER from earlier this year is a much smoother Statham flick.






342)
THE FAST AND THE FURIOUS
(2001 dir. Rob Cohen) 3rd Viewing: August 23 2026
25th Anniversary @ Cinemark
Always surprised when people still cry shot-theft over Joseph Kahn having the same 3D CG bit in TORQUE of nitrous & petrol flying through the engine combustion chamber. Cohen lifted the idea directly from Kahn's own 90s VW "Turbonium" commercial. + every other oil company duplocated that one ad nauseam still to this day.. (even if Kahn had borrowed the idea, I don't really see what the problem is. Especially within movies built entirely around images of vehicles) Shots like that are fun for a reason = why people reproduce 'em.




Saturday, August 22, 2026

Viewing Journal: 8/22/2026


341) 
THE RIVALS OF AMZIAH KING
(2026 dir. Andrew Patterson) Date Seen: August 22 2026
Patterson finally following up his excellent debut THE VAST OF NIGHT with something! & it's a great one too --alive and assured in a way not too many films have been for me this year.. The opening hour of RIVALS especially were a strong storytelling thunderclap for me. (Also features McConaughey's best performance since KILLER JOE)


Friday, August 21, 2026

Viewing Journal: 8/21/2026


340) 
THE MAGIC FARAWAY TREE 
(2026 dir. Ben Gregor) Date Seen: August 21 2026
based on some of the promotional stills I'd seen for this, I was worried it was going to look like wall-to-wall mismatched lighting & chromakey blurred edges for the majority runtime, like the 2010s Disney ALICE movies or OZ THE GREAT & POWERFUL. Loads of that ambient occlusion is thankfully missing. & just also as an overall family fantasy story, MAGIC FARAWAY TREE is a pretty swell time at the movies. British humor compensates for a lot too.


Thursday, August 20, 2026

Viewing Journal: 8/20/2026



339) SUPER TROOPERS 3
(2026 dir. Jay Chandrasekhar) Date Seen: August 20 2026
Was hoping one of these POLICE ACADEMY movies would eventually climax with a Waco like standoff between these chuds & an armed sovereign citizen type group.. an all-out 
"War of the Imbeciles" bloodbath. That's the lowbrow EDDINGTON counterpart the country deserves.








338) MANHUNTER
(1986 dir. Michael Mann) Date Seen: August 20 2026
"The Final Cut"
4K and 40th Anniversary
Just to be clear, Mann's 1986 cut of MANHUNTER is a flawless 5 out of 5 star masterpiece in my eyes --it's specifically this new cut i'm giving 4 point 5 to.. I do love the overall better sound mix, new dialogue, & especially love the longer moments with Hannibal, but I am not a fan of the modernized colorist changes to almost every other frame. They're fascinating to look at but aesthetically unnecessary imo.. I hope the eventual blurays also have a 4K of the theatrical cut included & not just this version.. And who drops their neon credits?! Come on!


Wednesday, August 19, 2026

Viewing Journal: 8/19/2026



337) THE LAST HOUSE 
(2026 dir. Louis Leterrier) Date Seen: August 19 2026
So many studios right now want their own A QUIET PLACE-type family in supernatural jeopardy hit & Netflix in particular releases like one of these per year. THE LAST HOUSE does have quite cool world-building things throughout & an atypical central threat as the antagonist; but all the melodrama is way too overwrought & obvious. It's a very hammy film. I eventually just didn't care what happened to the family either way.. It at least has some fun creature VFX. 

I'm glad AQUAMAN's brother finally got his revenge on all us surface dwellers.



Tuesday, August 18, 2026

Viewing Journal: 8/18/2026


336) 
BOORMAN AND THE DEVIL
(2026 dir. David Kittredge) Date Seen: August 18 2026
a fascinating autopsy of one of the biggest critical bombs in film history, 
EXORCIST II: THE HERETIC. & John Boorman essentially confesses here that he believes he overly intellectualized the themes of the book to the point where the material no longer resembled the type of possession horror audiences had come to expect. I've always found PT. II to be sonically & visually a beautiful piece of work, it just has a load of dramatically goofy stuff crammed into it that ruins the overall tone (hence why I always filed it under the "Close But No Cigar" section on my Favorite Horror Movies of the 70s list, because it's just too unique of a mess to dismiss as completely lusterless). Imagine a film being a beautiful string composition & it's being performed live at a symphony house, but a percussionist on stage keeps accidentally knocking crap over and distracting everyone -- That's kinda what THE HERETIC is like.. But brothers & sisters, I’d take a sincere, gorgeous, Morricone-scored wreck over all the soulless focus-grouped franchise things that come out now.



Monday, August 17, 2026

Viewing Journal: 8/17/2026



335) THE BRINK OF WAR
(2026 dir. Michael Russell Gunn) Date Seen: August 17 2026
Historical dishonesty aside, this thing is one uninspired movie to look at. The actors are doing everything in their power to elevate a stuffy script.. It's just another 
nostalgic myth made to comfort aging neo-cons & shit-libs who miss having some semblance of leadership in the Oval Office. Reagan only looks competent now compared to the molten porta potty we're trapped with.

Score one for the Gipper !



Sunday, August 16, 2026

Viewing Journal: 8/16/2026



334)
PAW PATROL
        THE DINO MOVIE 
(2026 dir. Cal Brunker) Date Seen: August 16 2026
Rex & his little wheels are the dog's bollocks;
in fact, he & a few dinosaur concepts in this were probably the only rays of light within the whole dud. (FLEAK might be more nuanced disability representation for 2026's children's films) I'm just having trouble articulating exactly what it is that irks me about part 3's veneer & overall atmosphere w/o using caca words.

PP DINO DUMP is like that annoying kid that used to barge into the nursery playroom with his own set of toys, cut from a completely different color scheme & school of design than your toys. And then he'd insist his toys fit inside our Power Rangers MegaZord & then his toy broke getting crammed into the MegaZord's ass & playtime became a big stupid mess. + that kid went home crying anyways -- In a visual sense THAT'S THIS MOVIE. Wall-to-wall ugliness.. And I'm still mad at these bootlicking canines anyway, because I feel like their newer flashier 3D look stole the Wonder Pets rightful thunder @ Nick Jr. (puts fists together "& I will have my vengeance"). Why is the base design model of all these dogs sculpted to look like a smirking wise-ass? Dinosaurs would be fully justified wanting to eat these cutesified jerks. (just busting balls. no one get all bent outta shape)

I'm also "grumpy projecting" onto this movie because our poor senior pup Loula is suffering from bad anxiety fits at night. & it feels like nothing we do can calm her.
even on gabapentin + other meds, she at random paces the house in a spooked panic like this. As if she'd seen a ghost :-(









333) WHAT WAS IN THE HAT?
[CO BYLO V KLOBOUKU?]
(1963 dir. Ludvík Kadleček) Date Seen: August 16 2026
Scarecrow & his hat clearly represent 
Czechoslovakia as a whole. but what about all them meddling jerks? well it was 1963, so.. you do the math