Make sure you take a gander at my previous posts in this DECADE series before continuing: 2000s, 90s, 80s, 70s, 60s, 50s, 40s, 30s, 20s
36.
ARRIVAL OF
32.
31.
30.
28.
WINSOR MCCAY, THE FAMOUS
CARTOONIST OF THE N.Y.
27.
GULLIVER'S TRAVELS AMONG THE
26. THE
21.
MUSKETEERS OF PIG ALLEY
20.
INVENTOR CRAZYBRAINS &
18.
17. THE
11. THE
2. THE
recap
1890-1919
I encourage all of you to post your favorite pics of this era (or films you think I've shafted) in the comments section below.
1890-1919
- INTOLERANCE 1916 (Griffith)
- GREAT TRAIN ROBBERY 1903 (Porter)
- BROKEN BLOSSOMS 1919 (Griffith)
- TRUE HEART SUSIE 1919 (Griffith)
- THE TRAMP 1915 (Chaplin)
- THE OUTLAW & HIS WIFE 1918 (Sjöström)
- THE IMMIGRANT 1917 (Chaplin)
- THE DOLL 1919 (Lubitsch)
- J'ACCUSE! 1919 (Gance)
- CABIRIA 1914 (Pastrone)
- 400 TRICKS OF THE DEVIL 1906 (Méliès)
- THE TANTALIZING FLY 1919 (Fleischer)
- THE HAUNTED CASTLE 1896 (Méliès)
- A DOG'S LIFE 1918 (Chaplin)
- LES VAMPIRES 1915 (Feuillade)
- FANTASMAGORIE 1908 (Cohl)
- FOUR TROUBLESOME HEADS 1898 (Méliès)
- BURLESQUE ON CARMEN 1915 (Chaplin)
- DER GOLEM: MONSTER OF FATE 1915 (Wegener)
- INVENTOR CRAZYBRAINS AND HIS WONDERFUL AIRSHIP 1905 (Méliès)
- MUSKETEERS OF PIG ALLEY 1912 (Griffith)
- VOYAGE TO THE MOON 1902 (Méliès)
- FRANKENSTEIN 1910 (Dawley)
- L'INFERNO 1911 (de Liguoro/Bertolini/Padovan)
- THE MERMAID 1904 (Méliès)
- CAMERMAN'S REVENGE 1912 (Starewicz)
- GULLIVER'S TRAVELS AMONG THE LILLIPUTIANS & THE GIANTS 1902 (Méliès)
- WINSOR MCCAY, THE FAMOUS CARTOONIST OF THE N.Y. HERALD AND HIS MOVING COMICS 1911 (McCay)
- SHOULDER ARMS 1918 (Chaplin)
- LA MAISON ENSORCELÉE (de Chomón)
- BUMPING INTO BROADWAY 1919 (Hal Roach)
- AFTER DEATH 1915 (Yevgeni Bauer)
- THE INFERNAL CAKE-WALK 1903 (Méliès)
- GERTIE THE DINOSAUR 1914 (McCay)
- LA VIE DU CHRIST 1906 (Alice Guy-Blaché)
- ARRIVAL OF A TRAIN AT LA CIOTAT 1896 (Lumiere bros.)
- CONQUEST OF THE POLE 1912 (Méliès)
I encourage all of you to post your favorite pics of this era (or films you think I've shafted) in the comments section below.



































