Tuesday, July 5, 2022

Viewing Journal: 7/5/2022




414) THE INNOCENTS 
        [DE USKYLDIGE]
(2022 dir. Eskil Vogt) Date Seen: July 5 2022




Viewing Journal: 7/4/2022







413) UNCLE SAM
(1996 dir. William Lustig) Date Seen: July 4 2022






Sunday, July 3, 2022

Viewing Journal: 7/3/2022




412) 
POUPELLE 
       OF CHIMNEY TOWN
(2022 dir. Yusuke Hirota) Date Seen: July 3 2022

I liked a lot about the world this was set within, the character designs, & even some aspects of the story-- but damn; Seldom have I enjoyed this specific type of 3D toon shader look applied to human characters (it's fine on inanimate surfaces, vehicles, machines, etc). To me it always looks like cheapo 3D impersonating hand-drawn 2D anime. With all the character edges rendered to look like they’ve got permanent pencil/charcoal strokes. Outside of maybe a few of the TellTale video game characters, I'm tempted to even say I hate this style. & it coupled with that choppy 12 frames a second (animating on 2s) rate made things look surprisingly crumby looking. Animation that just looks like someone hastily plastered iMovie “comic book filter" over everything.. I wish I didn’t have such a difficult time getting passed these aesthetics, because this movie has a lot of spiritual uplift to offer.














411) WYRM
(2022 dir. Christopher Winterbauer) Date Seen: July 3 2022

Did nothing for my cold dead heart. It's well made for sure and the performances are pretty good. but cutesy overload w/the pseudo-absurdist plot & dialogue.. Cloying



Saturday, July 2, 2022

Viewing Journal: 7/1/2022




409) MR. MALCOLM’S LIST
(2022 dir. Angus MacLane) Date Seen: July 1 2022

Why suffer through soap dregs like Netflix's Bridgerton when you can treat yourself to period romance like this (with actual wit & a modicum of joie de vivre).



Viewing Journal: 7/2/2022




410) OFFICIAL COMPETITION
(2022 dir. Duprat/M.Cohn) Date Seen: July 2 2022

Diva egos collide in this acidic satire of celebrity & the international film industry. ALL ABOUT EVE almost looks like a cozy tea party when compared to the hilarious prima donna fussing this movie skewers. It also features what is probably Penelope Cruz’s best comedic performance to date & that’s no faint praise considering how many funny turns she’s done. After Almodovar’s PARALLEL MOTHERS last year & now this, I guess it’s safe to say we can just expect career best work from her year in & year out from now on.




Wednesday, June 29, 2022

Viewing Journal: 6/30 - 6/29/2022




408) LIGHTYEAR
(2022 dir. Angus MacLane) Date Seen: June 30 2022

quality space opera. 
quality Spaceman Spiff opera.

I always enjoyed the video game sequence that kickstarts TOY STORY 2 & this believably felt like the event movie that game could've derived from.. Purist haters need to clam up & just be happy we got this instead of something aggravatingly generic like ABC's Buzz Lightyear of Star Command.













407) HATCHING
(2022 dir. Hanna Bergholm) Date Seen: June 30 2022

please give a warm welcome to this slick & thematically rich newest member of the S
ymbiotic Killer horror family (e.g. MONKEY SHINES, De Palma's SISTERSBAD MILO, BRAIN DAMAGE, SPUTNIK, etc.) Did anyone else think the creature's earliest stage in this movie was oddly cute?? In a goblin-ish Smeagol way? Anyway, thing's not half as gross as the materialistic "influencer" mum & her draconian standards of perfection. I guess that's sort of the crux of the thing.













406) CYST
(2022 dir. Tyler Russell) Date Seen: June 29 2022

There's a body horror visual early on in this that's almost as gross as the nastiest part of Junji Ito's "Glyceride".
Lots of fun intentionally goofy acting and rubber monster effects going on at all times, but halfway through I sort of found myself wishing it was either funnier or scarier. Just something of lasting significance.















405) THE PASSENGER 
         [LA PASAJERA]
(2022 dir. F.G. Gómez / Cerezo) Date Seen: June 29 2022





Tuesday, June 28, 2022

Viewing Journal: 6/27/2022



402) DOWNPOUR 
رگبار
(1972 dir. Bahram Beyzai) Date Seen: June 27 2022

This is the debut of the guy that later did 
BASHU, THE LITTLE STRANGER! And one of the only Iranian films I've seen that takes place pre-"Islamic Revolution" (aka before they became a brutal theocracy), so it's always fascinating to get a glimpse of what life was like in the ol' Persian lands back then. Had some pacing issues but overall I mostly loved it.
#CriterionBluray #ScorseseWorldCinemaProject3















401) LUCÍA
(1968 dir. Humberto Solás) Date Seen: June 27 2022

In terms of greatest looking black & white movies ever made; this is a photographic paragon up there with ANDREI RUBLEV and NIGHT OF THE HUNTER. And each segment's dramatic weight coupled with all the different aesthetic flourishes brought me to tears more than once.
#CriterionBluray #ScorseseWorldCinemaProject3




Viewing Journal: 6/26/2022



400) 
THE 
F13TH FAN FILM MIXTAPE
(2019 dir. lots of people) Date Seen: June 26 2022

I prefer this type of arbitrary highlight reel to the more straightforward fan remakes I've seen - ex. 
RAIDERS: THE ADAPTATION (1989), A NEW HOPE UNCUT (2009), OUR ROBOCOP REMAKE (2014), etc. (although I did like those too!). I think mostly due to the more unfocused nature of the former; It's a bit funnier & more surprising just to witness random clips from all the different home movie interpretationsLike a mini-anthology full of crazy micro shorts.














399) SOLEIL Ô  [OH, SUN]
(1970 dir. Med Hundo) Date Seen: June 26 2022

this whole experiment seemed to have an air of therapeutic catharsis. Like the filmmaker was trying to exorcise a mammoth amount of anger & pain from his soul.. Deeply inspiring filmmaking & a masterclass in editing.
#CriterionBluray #ScorseseWorldCinemaProject3














398) GAPPA, 
THE TRIPHIBIAN MONSTER 
            大巨獣ガッパ
(1967 dir. Haruyasu Noguchi) Date Seen: June 26 2022

Gamera has totally snogged Gappa before



Viewing Journal: 6/25/2022




397) MONSTROUS
(2022 dir. Chris Sivertson) Date Seen: June 25 2022

Wife and I really dug the first two acts of this, which felt like a slightly tongue-in-cheek horror take on old Hollywood weepies (or think Todd Haynes shooting a James Wan/Leigh Whannell story). Unfortunately a far-fetched & hammy 3rd act reveal poops all over everything that came before, & afterwards it was kinda difficult to wash out the stink. It almost felt like the writer was trying to shoehorn the disparate endings of SHUTTER ISLAND (2010) and THE VILLAGE (2004) into a story they're awkwardly out of place with. + those big reveals worked due to the way they synched within their own thematic continuity, & that's hardly the case with MONSTROUS.. But at least it was an intriguing & well composed ride for a stretch. & Ricci is wonderful as always 💖


Viewing Journal: 6/28/2022




404) HIT THE ROAD
(2022 dir. Panah Panahi) Date Seen: June 28 2022

hey, whad'ya know! the young Panahi is almost as good as the old one 💗. Also, why do I feel like 50% of the Iranian films I've seen take place in cars?














403) AFTER THE CURFEW 
       [LEWAT DJAM MALAM]
(1954 dir. Usmar Ismail) Date Seen: June 28 2022

It has to be so disappointing for Indonesian freedom fighters from this era to see what became of their country. You think the poor dude in this movie was 
disillusioned; just wait until the death squads 11 years later
#CriterionBluRay #ScorseseWorldCinemaProject3