Monday, April 17, 2017

PROFESSOR COREY’S SPRING BREAK QUIZ

aka PROFESSOR IRWIN COREY’S FOREMOSTLY AUTHORITATIVE SPRING BREAK MOVIE QUIZ


originally posted
MARCH 15, 2007
[old stuff from the now gone "Refined Picture Show" blogspot]


Another great quiz by Dennis Cozzalio.








1) WHAT MOVIE DID YOU 
HAVE TO SEE MULTIPLE 
TIMES BEFORE DECIDING 
WHETHER YOU LIKED OR 
DISLIKED IT?
One I initially disliked but ended up digging 
quite a bit was DONNIE DARKO (2001).

A movie I started to hate after multiple viewings 
was A BEAUTIFUL MIND (2001).










2) INAUGURAL ENTRY INTO 
THE ACADEMY OF THE 
OVERRATED
Paul Greengrass











3) 
FAVORITE SLY OR NOT-SO-SLY REFERENCE TO ANOTHER 
FILM OR BIT OF POP CULTURE 
WITHIN ANOTHER FILM
I love the homage to Sergio Leone in THE 'BURBS 
(1989) when Art & Ray approach the neighbor's 
creepy house. The staging & music are so spot on.
direct nods to  GOOD, THE BAD, & THE UGLY and ONCE UPON A TIME IN THE WEST










4) FAVORITE POWELL / 
        PRESSBURGER MOVIE
THE RED SHOES (1948)










5) 
FAVORITE OSCAR MOMENT
Those reels where they used to edit 
Billy Crystal into all the nominated 
films.











6) HUGO WEAVING 
         OR GUY PEARCE?
Guy










7) MOVIE THAT YOU FEEL GAVE YOU 
THE GREATEST INSIGHT INTO A WORLD/CULTURE/PERSON/PLACE/EVENT 
THAT YOU HAD NO UNDERSTANDING 
OF BEFORE SEEING IT
Loads of documentaries come to mind immediately. A 
few feature films too. CHILDREN UNDERGROUND 
(2001) hit me with the clarity of Col. Kurtz's proverbial 
diamond bullet. A horrible reproductive health policy
 for the women of your country equals disastrous 
results for generations to come. Holy shit what a 
heartbreaking nightmare.
Jane Goodall's excellent short documentary 
called CHIMPS: SO LIKE US really opened my 
eyes to the tribalism and complex politics that exist 
among Chimpanzees. I imagine it must be similar to 
how most great ape species interact in the wild.
As far as narrative live action movies go, MY LEFT 
FOOT (1989) offers a raw & humanistic insight into 
the life of artist Christy Brown & the day-to-day 
struggles he faced with cerebral palsy. Seeing it at a 
young age made a big impact on me. I always try to 
be mindful of the needs of disabled people.
  









8) 
FAVORITE SAMUEL FULLER
THE STEEL HELMET (1951)









9) MONICA BELLUCCI 
OR MARIA GRAZIA CUCINOTTA
Monica.. mamma mia!













10) WHAT MOVIE CAN TAKE 
A NOTHING DAY & SUDDENLY 
MAKE IT ALL SEEM 
WORTHWHILE
Miller's ROAD WARRIOR.















11) CONVERSELY, WHAT MOVIE CAN 
DESTROY A DAY'S WORTH OF GOOD 
HUMOR JUST BY CATCHING A GLIMPSE 
OF IT WHILE CHANNEL SURFING?
This sad Japanese movie called 
NOBODY KNOWS (2004) 
about child abandonment.












12) 
FAVORITE JOHN BOORMAN
personally it's EXCALIBUR (1981).
 though I think DELIVERANCE (1972) is probably his best.












13) WARREN OATES 
           OR BRUCE DERN?
Both men are great in their own right, but if I'm forced 
to choose I go with Warren Oates.











14) 
  FAVORITE ASPECT RATIO
2.35:1 
PANAVISION ANAMORPHIC
ESCAPE FROM NEW YORK (1981)












15) 
BEFORE HE DIED IN 1984, 
FRANCOIS TRUFFAUT ONCE 
SAID: "THE FILM OF 
TOMORROW WILL RESEMBLE 
THE PERSON WHO MADE IT." 
IS THERE ANY EVIDENCE 
THAT TRUFFAUT WAS 
RIGHT? IS IT TRUFFAUT'S 
TOMORROW YET?
I'd like to say yes but I think more and more 
personal films are having a harder time getting 
funding now. Studios definitely seem to want to 
play it safe more often & rely on formula and 
established brands. I guess it really just depends 
on the filmmaker. There are still "auteurs" and 
personal storytellers but not any more or any 
less than there were in Truffaut's day. I 
thought that should've definitely been the case 
by now with the way digital is democratizing 
the medium, but so few small movies find 
an audience.












16) 
FAVORITE HERZOG MOVIE
AGUIRRE, THE WRATH OF GOD (1972)











17) FAVORITE MOVIE FEATURING A 
RAMPAGING, OVERSIZED OR 
OTHERWISE MUTATED BEAST, 
OR BEASTS
I adore TREMORS (1990)












18) SANDRA BERNHARD 
     OR SARAH SILVERMAN?
Ms. Silverman! she makes me laugh 
a bit more. I'm admittedly way more 
attracted to Sandra, though.. 
That's right, I said it!










19) YOUR FAVORITE, 
OR MOST DESPISED, 
MOVIE CLICHE
One of my favorites is when a car suddenly won't start 
in a horror film. hehe. It's just a funny & 
cheap way to fuck with the audience.
I hate when characters fake cough insults under 
their breath.











20) INDIANA JONES AND 
THE TEMPLE OF DOOM-- 
YES OR NO?
Yes!.. not as great as RAIDERS (1981) but if u can 
remove yourself from presentism in a political sense, 
it's still an undeniable great ride.. It's MOVIE energy is
 rarified pure & off the chain.











21) 
FAVORITE NICHOLAS RAY
JOHNNY GUITAR (1954)











22) INAUGURAL ENTRY INTO 
THE ACADEMY OF THE 
UNDERRATED
Nicolas Winding Refn










23) 
FAVORITE MOVIE DEALING 
W/ THE SUBJECT OF 
TELEVISION
Cronenberg's VIDEODROME (1983)
I also love QUIZ SHOW (1994) and NETWORK (1976).













24) BRUNO GANZ 
   OR PATRICK BUACHAU?
Bruno!










25) 
FAVORITE DOCUMENTARY, 
   OR NON-FICTION FILM
KOYAANISQATSI (1983)










26) ACCORDING TO ORSON WELLES, 
THE DIRECTOR'S JOB IS TO "PRESIDE 
OVER ACCIDENTS." NAME A FAVORITE 
MOMENT FROM A MOVIE THAT 
SEEMS LIKE AN ACCIDENT, OR A 
UNINTENDED, PRIVILEGED MOMENT. 
HOW DID IT ENHANCE OR DISTRACT 
FROM THE TOTAL EXPERIENCE OF 
THE MOVIE?
One of the more recent happy accidents I've loved was 
in Malick's THE NEW WORLD (2005). The steadi-cam 
operator was moving around the lead (Q'orianka 
Kilcher) as she strolls on a shore during a gathering 
storm. As the camera makes a 180 degree turn around 
her (starting on her smile & ending over her shoulder) 
it caught lightning striking in the distance.
sublime








27) 
FAVORITE WENDERS MOVIE
WINGS OF DESIRE (1988)










28) ELIZABETH PENA 
OR PENELOPE CRUZ?
I love both these women but I'd pick Penelope.











29) 
FAVORITE MOVIE TAG LINE
I love the singular obsessiveness of "He had to find 
her... he had to find her" on old posters for 
THE SEARCHERS
ALIEN ('79) & SPACE ODYSSEY ('68) have cool tag lines too.










30) AS A READER, FILMGOER, OR FILM 
CRITIC, WHAT DO YOU WANT FROM A 
FILM CRITIC, OR FROM FILM CRITICISM? 
AND WHERE DO YOU SEE FILM 
CRITICISM IN GENERAL HEADED?
I don't care if our tastes in film are opposite or 
identical-- as long as a writer has interesting 
ideas about movies I will continue to seek them 
out. Make me think critically about any aspect 
of a film & you've done your job. As to the 
future of film criticism, I'm not sure. Print sales 
definitely seem to keep falling. Which is bad. 
Maybe more and more film critics will end up 
writing for online outlets or hosting podcasts?? 
idk.



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